Book Corner Chilling in April


This is my second book corner chill post and I have to say I can’t believe how many enjoyable books are out there. Choosing them to feature is difficult. I did however want to have a link between the books, a commonality that overrode differences in genre. I wanted good reads providing time out, and radiating warmth.

You may have already gathered I am an avid reader. I have  been for as long as I can remember. When I was younger, I veered towards more serious books, mostly classics. These days I love to mix my genre, but I do have a rule before recommending, and this is something I don’t compromise. I demand a connection to the characters. I must either love or hate the protagonist enough to care what happens next. It’s that simple. Reading is a form of escape from the real world so the trigger, the escape mechanism, must have power. Nothing is stronger than the engagement with the characters, and surprisingly a book doesn’t have to be five stars to provide the magic for the reader.

Perhaps I shouldn’t but I will forgive editing issues and often even small plot holes if the characters are engaging. I want to feel what they feel even if I don’t like them. I want to wonder what will happen even as I make an educated guess that turns out right, I need to connect.

This lot of books I am showcasing are rural romances, and I am not a rural fan, but I loved the experience these books offered me. You see, connection also jumps genre boundaries. As an added bonus three of the novels are by Australians, Alissa Callen, Barbara Hannay and new author Jill Staunton. The two other books are by Jacqueline Rhoades, one of my favourite American authors, favourite because her characters are so lovable.

Let me know what you think.

Ciao for now,


The Long PaddoclThe Secret YearsReiver's Moon


Preston's MillChanging Times

Questions for me? Want to share your views and ideas? Follow me and ask away: 

Twitter          Facebook          Instagram        



Cartoons to Romance, let’s look at art

Been giving a lot of thought to keeping the blog fresh and the one thing I keep coming back to is the people I meet in this career I have embarked on. I am a great believer in paying it forward and the people I meet every day encourage me to do just that and thankfully the blog allows me the space. Last month my focus was Australian author Jill Staunton and her wonderful book Reiver’s Moon and this month I want to introduce you to my cover artist, Christopher Brunton.

Pic 6Chris is a graphic artist and illustrator with nearly 30 years print media and advertising experience. He was formerly the Art Director for North Queensland Newspapers, but decided he was ready to branch out into freelancing, and here it is seven years later. Chris enjoys the fact that working for himself has offered an opportunity for a wider creative challenge. Although he is my cover artist Chris also does many other different things including some wonderful work with cartoons.

Chris original finish 1

I know through my own experience with him that he goes with the client need but doesn’t hesitate to offer input. I asked for something pretty for my poetry books and he provided exactly what I asked for. I wanted something soft on the eye because my poetry deals with life issues, and the things around us and I felt I needed to reflect this.

Chris original finish green 1 AmazonI loved the fact that he understood and gave my covers that softness I wanted.  At the end of the day you want someone that listens to you. Cover art is a partnership, any form of art is a partnership between the artist and the client.  I was so nervous, and it turned out I had no need to be.

When I made the decision to self-publish I felt I was taking a leap off a cliff; and trust me I am no bungee jumper. My son did give it a try, but I don’t want to think about that. Anyway, I had to make some decisions involving what I could do myself and what I couldn’t. The cover was the hardest thing to decide on, and I made a few mistakes trying to get my head around things. Finding Chris has made the process so easy. I tell him my ideas, he throws things back at me, and then it comes together.  All my eBook covers have been a very smooth experience.

unnamed (2)Later, working on a print copy of the cover for my romance novel we managed to encounter a few problems and he was amazing. So much had to go backwards, and forwards because of a glitch in the system (the actual self-publishing) and I just wanted to give up. He didn’t, and we got it done. I felt supported and writers need this as we are an emotional mess at times about our work. Putting pen to paper is such a personal thing and having someone listen about our work makes such a difference.

Chris has two passions, the gym and working with people to create artwork that makes them happy. The interesting thing is I have never met Chris and all our work together has been online, and the fact the process worked so well says a lot about his attitude to life and his profession. I am so happy to be able to feature both his online illustration portfolio, and his graphic art portfolio. They demonstrate his versatility (see the cover below).

Pic 1

I have provided links below for other samples of work. I hope you take the time to peruse them.

Online illustration portfolio:

Online graphic art portfolio:

Till next time,


Questions for me? Want to share your views and ideas? Follow me and ask away: 

Twitter          Facebook          Instagram         

Does anyone know what a reiver’s moon may be? Meet Jill Staunton

This blog post I am thrilled to be doing something different, and presenting a piece on Australian Jill Staunton, author of Reivers Moon, a beautiful read which I thoroughly recommend. I haven’t known Jill long, but what I know I like, particularly her passion for the land. It is inspiring.


Generally, I am not a big rural fan, but I will read the odd one here and there. I do however like to read new Australian authors and I am so glad I came across this. I joke and say the sao biscuits and vegemite cemented my love affair. They probably did. It’s an Aussie tradition even a migrant child can relate to, although my Italian cousins ran screaming when I offered it to them to try. It is also a very inexpensive snack in hard times. I grew up understanding that, despite the cultural differences. There is a moment in every book that connects us and often it can be a small thing. I found myself inside a world vastly different to mine but completely fascinating.

I won’t touch too much on the plot except to say the novel is a mixture of family drama, hot romance and the kind of crime people on the land should never be subjected to. Their lives are hard enough. Beautifully crafted the novel is an insight into Australian outback life and one that people everywhere can relate to. So much of that is due to the author’s skill in the use of descriptive language, and to the love of the land that shines through in every word. It draws the reader, no matter their background, into the world of farmer, the man on the land. I will let Jill tell you a little more about that, and the book.

Meet Jill Staunton

So many things inspire me to write. Mostly, I write because I love writing – love putting together a story, playing around with words until I find the ones I’m happiest with, the ones that give me the shades of meaning I really want.

Someone once called me a wordsmith and the first time I heard the term, I was thrown back to my childhood and my uncle whom I could always track down in his smithy. He taught me to work the bellows while he beat red-hot metal into shape on an anvil, then dunked it into a bed of coals – which I had to keep red-hot for him by pumping the bellows. He could make anything he needed for the farm; there was artistry in his hands. He came from a line of artists – painters and woodcarvers – and women who could crochet, knit, sew, cook and garden the way we don’t today. So many of those skills have diminished or been lost to us. He, and they, were smiths in the true sense of the word.

I wondered then what value there was in being a wordsmith. Compared to my Scottish and Irish predecessors, I had little to show for my art. Or so I supposed. There were no crocheted bedspreads, or intricately laced tablecloths; no knitted dresses or patterned jumpers; no deliciously fluffy, light sponge cakes; no colourful bottles of pickles, relishes, jams and preserved vegetables lined up in the pantry and  no oil paintings positioned proudly above hand carved wooden mantelpieces. Words on paper were largely invisible in a home filled with such useful treasures. Still, I loved words.

And my parents loved the land and taught their children to love it too. I soaked up the language of the bush like dry ground soaks up a rainstorm and found that words had their own kind of magic and artistry. They enabled me to write about the country I loved, about a way of life that mattered and still does.

It matters because farmers are artists too and their palettes are living blocks of land upon which they must constantly position and re-position crops and livestock in ever changing environmental landscapes and moods. Whether we are vegetarians or meat-eaters, we need our farmers. And we need to respect their knowledge, skills and artistry in managing our survival. Yes, our survival. For without farmers, we’d all die.

So, when I see organisations like PETA, scurrilously slandering our farming communities, words spill from my mind and swirl into poems of protest like this one.

Drought Jill


Drought-dry paddocks sit brown and bare,

Devoid of grass and seared by the sun

Their friable soils fragment, crumble undone

And rootless, they lift into hot dry air.

Blown by bitter winds, dust clouds flare

Across outback towns and cattle runs

As life succumbs to a burning sun

And bleaching bones lie bereft of care

While you, PETA, arrogant, ignorant, urbanite

You, who live in comfort through oblivious days

You, who shop for bloodless foods, prettily pre-packaged

You dare to vilify those whom death stalks, unites,

Who look into dull, glazed eyes and euthanaise

Day after drought-dry day? Shame on you and your sacrilege!

I also write Outback fiction – a blend of romance and adventure based around real rural issues such as reiving. Now there’s a word my Scottish ancestors would have used! I like to take a romantic and optimistic viewpoint in my stories so ‘Reiver’s Moon’ is an Australian Outback romance and rural crime story about cattle theft in north Queensland, set between Townsville and Hughenden.  Annella MacAdam and Mitchell Fallon are the key characters and as the lead says, Annella MacAdam loved a lie and didn’t know it. Mitchell Fallon was the lie and knew it.

What inspires me is my love of the Australian bush, my family, a sense of justice and my delight in playing with words. I think writers simply love creating stories.

Launch P

Cheers, Jill Staunton

Jill’s Facebook page

or Instagram at  jillstauntonpen


Till next time


So what is a reiver’s moon? Follow Jill on her media and ask her and then let me know. 🙂